Ebook Free On Writing Well: The Classic Guide to Writing Nonfiction, by William Zinsser
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On Writing Well: The Classic Guide to Writing Nonfiction, by William Zinsser
Ebook Free On Writing Well: The Classic Guide to Writing Nonfiction, by William Zinsser
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About the Author
William Zinsser is a writer, editor and teacher. He began his career on the New York Herald Tribune and has since written regularly for leading magazines. During the 1970s he was master of Branford College at Yale. His 17 books, ranging from baseball to music to American travel, include the influential Writing to Learn and Writing About Your Life. He teaches at the New School in New York.
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Product details
Series: On Writing Well
Paperback: 336 pages
Publisher: Harper Perennial; Anniversary, Reprint edition (April 5, 2016)
Language: English
ISBN-10: 9780060891541
ISBN-13: 978-0060891541
ASIN: 0060891548
Product Dimensions:
5.3 x 0.8 x 8 inches
Shipping Weight: 7.8 ounces (View shipping rates and policies)
Average Customer Review:
4.7 out of 5 stars
827 customer reviews
Amazon Best Sellers Rank:
#2,435 in Books (See Top 100 in Books)
Great book with a lot of strong guidance, examples, and helpful suggestions. I would strongly recommend this to any law student, attorney, journalist, or graduate student who will have to do a dissertation. The book is easy to read and understand, and can be read cover to cover or reviewed on a chapter basis to address the issue you are having. Strongly recommended!
This book is one of the finest books ever written on the subject of nonfiction writing. I've written about 30 books that have sold more than five million copies and I can tell you that those books would never have been written, or written as well, had I not stumbled upon this book some 20 years ago.From this book I learned the value of brevity. I learned the value of simplicity. And more than anything else, I learned to trust myself and the concept that, in the end, people don't love a book because they are in love with the subject, they love a book (and stick with it regardless of topic) because they like the author. I also learned, very importantly, that your teachers were all wrong when they told you not to write in the first person: Mr. Zinsser convinced me that writing in the first person is the best--often the only--way to write.If you don't trust yourself and don't trust your ideas, why on Earth are you writing anything?I also learned from this book that humor and surprise are necessary elements of most nonfiction writing.Be yourself, talk directly to the reader, be funny, be human, be a tiny bit clever--and you may even surprise yourself with what a good writer you are. Trust yourself, and trust simplicity.
The most damaging (but fair) criticism I've heard of this book came from reviewer D. Fineman who said, "He generalizes egregiously about topics that are enormous. ... He feels free to judge -- for instance scientists -- outside his field."I agree that Zinsser does these things, but I disagree that it is a problem. In fact, if I have one criticism of the book it is exactly the opposite: that the lessons are even more generalizable and broadly applicable than Zinsser gives them credit for. For instance, if you skip the travel writing chapter, or if you read it thinking that it only applies to travel writing, then you will miss two golden and persuasive arguments that ought to apply to *any* writer:1) The things that come to the writer easiest -- cliché, excessive detail, syrupy and vague language -- are the things that keep the reader bored/detached/passive.2) Your main task as a writer is to distill the essence of whatever you're writing about--to find its central idea, to describe its distinctive qualities using precise images. In other words, your main task is to work excruciatingly hard.The goal of any writer (yes, any) ought to be to transform the reader from a passive observer into an ally. It's excruciatingly hard to do, but once you realize that that's the goal, and once you realize that the parts that come easiest are what's getting in the way of that goal, then you can start writing well.Zinsser knows these things, and he articulates them beautifully. It is one of the most persuasive books I have read, on any subject. But I hate that the lessons are hidden within topic-specific chapters. Please read with that in mind.
I've read many books on writing and publishing. This book is by far the most practical, easy to understand and surprisingly entertaining to read. If I was asked to choose one book that would help someone become a better writer it would be this one.One thing I'll add is to read it more than once, if you're like me, you'll miss many of the nuggets the first time around. I've been through it three times now and continue to find more gems of wisdom.
Do you know how to write? I asked myself this before buying the book. I didn’t know the answer. My writing experience through college was that the professors assumed that I knew how to write, assigned a paper, and then graded it with no feedback. I wrote a lot but didn’t learn a lot about writing. Since college, I had started writing again. I had picked up a few tips here and there from reading books and blogs. I felt like I knew what I was doing.Then my friend recommended me this book. It made me question what it means to write well. I knew what I thought writing well meant, but I didn’t know what successful authors thought it meant. That ignorance made me decide to buy the book.Reading this book was a journey — it started out great, then dragged on and became unbearable, and then ended on a high note with the most useful information.The beginning either taught me keys to writing well or reinforced ones that I already knew: write with confidence; speak from the first person; tell your story; use a unique perspective; and use peculiar phrases to keep the reader attentive.Then came the descent. Zinsser is a great writer, but not the best teacher. I wasn’t sure I took away all the key points. Each chapter covers a different subject, with a lot of points scattered throughout the paragraphs. I’m not sure I picked up on everything he writes about. It would have been easier if he ended each chapter with bullet points of the key takeaways, or ended it with questions that ask the reader if they understood the key points.Then Part 3 put me to sleep. Part 3 is about writing about different subjects. The problem again is how the material is presented. Each chapter is about a different subject. In each of them are many passages from other writers that he uses as examples to analyze. He often quotes a passage, spends a paragraph or two analyzing it, and then jumps straight to the next passage with no clear delineation. I found myself drifting off for a page or two and then realizing I didn’t know what I was reading. I had to go back and re-read often. If he had made clear breaks, like starting each passage on the next page, giving each passage a header, or some other visual break, it would have been much easier.Not only was Part 3 hard to follow, he didn’t always appear to be an expert on the subject he was talking about. I don’t consider myself a funny person, but I learned nothing about humor from reading his chapter on the subject. He states that he has taught classes on humor writing — suggesting he has expert insights — but he only provides common knowledge: don’t explain jokes, and don’t repeat them.But suffering through Part 3 was worth it. Part 4 contains the most valuable information in the book. He breaks down one of his own articles piece by piece and offers his thought process on writing. I got a lot out of it. He gives a lot of useful tips: think what the reader wants to know next after each sentence; the last sentence of each paragraph should springboard to the next paragraph; know when to end an article; and have a strong ending.
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